Der neueste Wurf von Bernd Meiser wurde in Gitarre & Bass 11/20 https://www.gitarrebass.de/equipment/test-bsm-black-box/ begeistert gefeiert. Ein Preamp und Booster, der den Geheimnissen eines fast vergessenen Tongenerators nachspürt, der ersten tauglichen Gitarrensende-Anlage Schaffer-Vega-System. Wegen ihrer besonderen Klangmerkmale wurde dieses Gerät nicht nur auf den Bühnen der End-Siebziger und Achtziger Jahre eingesetzt, sondern auch im Studio, da es von sich aus angenehm komprimierte.

Bekanntester User dieses Systems war Angus Young von AC/DC, weshalb die Black Box auch auf dessen Marshall Plexis und weniger heiße Humbucker ausgerichtet wurde, um den fetten und bewunderungswürdigen Tone der Meister des klassischen Riffs zu bekommen - sie funktioniert aber natürlich ebenfalls hervorragend mit P90s oder Single Coils -

Wir haben hier einen kombinierten High-Gain-Treblebooster / Vorverstärker, der hilft, die Vorstufenröhren des benutzten Verstärkers in die Sättigung zu bringen. Dazu sollte dieser Amp aber ebenfalls zu einem gewissen Grad aufgedreht sein!

Das Soundplus, das man hiermit erhält, besteht aus mehr Dynamik, Transparenz, Gain und Kompression!

Die Regler Level und Crunch entsprechen ganz einfach der bekannten Funktionen Master-Volume und Gain eines üblichen Röhrenverstärkers, bieten aber eine große Range bester nutzbarer Sounds!

Sehr starker Boost-Effekt. Bitte Vorsicht mit nachgeschalteten Pedalen, wenn die Black Box mit 18V (auch 9V ist möglich) betrieben wird, sie könnten Schaden nehmen!

Idealerweise sitzt die Black Box innerhalb der Signalkette direkt hinter der Gitarre (Ausnahme Wah-Wah).

Der magische Sound dieses Boosters entsteht durch die Interaktion zwischen Gitarren Pickup, Booster und Röhrenvorstufe. 

Preis: Nicht mehr erhältlich 

BSM Black Box Booster

In the mid/late 70s guitarists were excited by the idea of expanding the radius of their stage acting by using a wireless system. There were not many of them around that could be used for guitar. The best device to be found was the Schaffer Vega Diversity System. This unit was technically a very clever solution but also colored the sound to a certain degree. Nevertheless many famous players decided that the freedom of running around and be safe from electric shocks counted more than preserving the pure guitar sound. Amongst them were e.g. David Gilmour, Peter Frampton, Eddie van Halen or Angus Young. When it came to recording some discovered that they got so much used to the coloration (more transparency), slight compression (out of the compounder function) and the additional gain boost so they decided to use it not only live but in the studio as well. The production of the Schaffer device stopped somewhen down the line (around 1981) and the development of modern wireless systems continued. As times went by a guy named Filippo Olivieri (SoloDallas.com) - a great fan of AC/DC and especially Angus Young’s tone on the “Highway to Hell”, “Back in Black” or “For those about to Rock” albums - rebuilt the Schaffer´s device audio circuit, being historically correct as the "Schaffer Replicas". Now 40 years have gone since the release of the milestone “Back in Black” (2nd best selling album of all times). BSM decided to take the idea of this classic Rock sound and came up with a completely different solution to hit the target. Not interested in making a simple copy of the circuit but developing own ideas to realize the functions with silicon transistors. What you get now is a flexible high gain treblebooster/preamp combination optimized for medium humbucker pickups that works also very well with P90s and singlecoils. It is intended to hit the high treble input of a British Plexi-type amp (or other classic British oriented tube amps) hard. What came out is a real monster, working at 18 volts. But we have to admit that it still works very well with 9 volts, just a little less monstrous. It also comes with a status LED. The preamp stage is a mild treblebooster of low noise followed by a high gain silicon output stage that can easily be symmetrically driven into saturation. Because of the controls for preamp (“crunch”) and output stage (“level”) you can and have to tame the beast! The “crunch” control sits in between the pre- and output stage but you will have to involve the volume control of the following amp as a Mastervolume for generating the overall drivesound that includes overloading the amp's (possibly clean working) preamp tubes. Unity gain can be achieved by dialing “crunch” to 10 and “level” to 12 o'clock.
Maximum gain is 46dB @ 500hz and output can rise up to 15Vpp … so be careful: “High Voltage!” If you have to use other devices like chorus or delay pedals in the chain behind the Black Box and in front of the amp it would be better to run the unit at 9volts to save the other pedals lives.
The BSM Black Box is inserted between guitar and amplifier, not into the FX loop. The magical tone is achieved by the interaction between guitar pickup, booster and amplifier. By using the external DC jack, you can power the unit with 9 volts up to 18 volts for increased headroom and output. An internal 9v battery with a current consumption of approximately 3mA@9V (5mA@18V) can also be used to power the unit.